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CONTENTS |
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NOTES |
: edited by Kirsty Buchanan and Paul Kindersley
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Suspiria |
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6 |
Fake birthday bake |
Jenny Campbell |
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Bloody Gore:
The top five (fake) bloodiest films |
Sarah De Nardi |
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7 |
The many faces of Mad Tom the messiah |
Grace Morgan Pardo |
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Lying as a medium |
Sally Hogarth |
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8 |
From periwigs to tumbleweaves |
Kirsty Buchanan |
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Pictures from kitch that I brought with me - Bucarest, Romania |
Richard Whitby |
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9 |
A tale of Hodgepodge |
Jareh Das |
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The three Paul Kindersleys... but which one is real |
Paul Kindersley |
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FEATURES
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Jeff McMillan, Perfect Arc |
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9 |
Tudor Bastards
The unruly descendants of the superstars of history
ONLINE EXCLUSIVES: Interview with artist Lucy May
Interview with Prof Andrew Ballentyne and Dr Andrew Law
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Alli Sharma |
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16 |
Between Dartford and the Delta
British blues, truth and authenticity |
Cathy Lomax |
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20 |
The theatricality of the moment
Crusties, coffee and cliches with Bedwyr Williams
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Interviewed by
Annabel Dover |
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22 |
A real good time
Glenn Brown, Wilhelm Sasnal, Rene Magritte, Werner Herzog, 3D and photorealism |
Rachel Potts |
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26 |
The L'eye of the amateur painter
Psychological depths in Patricia Highsmith's Mr Ripley |
Eleanor Moreton |
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30 |
Thoroughbred cross
Cover artist Jeff McMillan on new objects with mixed origins |
Interviewed by
Alli Sharma |
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36 |
Costuming angels
Jean Cocteau, Mike Nelson, Lyndsey Sears, Alex Prager and mise en scene. |
Alex Michon |
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40 |
Artful lies
Antiqurian dupedom |
Phillip Allen |
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43 |
Pluto Houses
wartime secrets on the south coast |
Wendy Carrig |
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44 |
Living archives
Arnold Dreyblatt, Christian Boltanski and the afterlife of the archive |
David Houston Jones |
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48 |
What difference does it make
The value of provenance in the writings of Philip K Dick |
Georgina Talbot and Neil Usher |
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PORTFOLIO |
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34 |
Jamie Shovlin |
interviewed by Marianne Morild |
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FILM CLUB |
: edited by James Payne
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50 |
Where reality really bites back
The inecapable truth of Clio Barnard's The Arbor |
Faye Gordon |
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52 |
Extreme acting: I could have been a contender
Deconstructing method acting |
James Payne |
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54 |
Meandering Mendacity
Hot air and fantasy in Terry Gilliam's
The Adventures of Baron Munchausen |
Michael Ajerman |
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WWW |
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56 |
Manufactured Museum
Falsification in the work of Dallas Seitz |
Kathryn Newman |
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58 |
Inside the artist's studio: Sigrid Holmwood |
Alli Sharma |
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60 |
Copycat questions out of shared studio ideas |
Clare Mitten and
Mindy Lee |
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61 |
Insight: Tudor
Rachael Haines is dreaming in black and white |
Alli Sharma |
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62 |
In the borderlands of language
Peter Suchin's exquisitely shabby paintings |
Eleanor Moreton |
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64 |
Previews: Genuine Illusion
Upcoming shows with a 'fake' feel |
Alli Sharma |
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66 |
Intimates: large and small
Aid & Abet and Dalla Rosa Gallery come under the spotlight |
Corinna Spencer |
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LAST WORD |
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68 |
The end of the real fake |
CAP |
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