Paul Kindersley is a London based artist and filmmaker working across drawing, performance, film, ceramics and storytelling. His work has been exhibited widely including at  Middelheim Museum, Antwerp; Kettle’s Yard, Cambridge; MACVAL Paris; Charleston House, Firle and The Hayward Gallery, London. He is also a visiting lecturer and drawing tutor at University of the Arts London.

Born in 1985 in Cambridge, UK. Graduated 2004 Art Foundation at Cambridge Regional College before studying Fine Art, Chelsea College of Art & Design, London.

Selected Solo Exhibitions include:
Speak Your Story Into Life, Gasleak Mountain, Nottingham, (2022);  Meander, 34 Bourdon Street, London (2021); Ship of Fools, SKIP Gallery in Selfridges, London (2019);  Narrator, Relator & Stimulator,  Belmacz, London (2017); #TheBritishAreCumming, Kunstschlager, Reykjavik (2014); She wanted his soul, but he could only give her his blood, Transition Gallery, London (2009).

Group Exhibitions include:
Interior Worlds, Gallery 46, London (2026); Reflecting The Light, M. Goldstein, London (2026); Blusher, Leicester Gallery, De Montfort University (2025); COME CLOSER, Middelheim Museum, Antwerp (2024); Pour vous séduire, La Crypte d'Orsay (2022);  After Hours: To Be Human, The Courtauld, London, (2022);  Don't Let The Bastards Grind You Down,  Glasgow International (2021);  BUMS, Dia Horia, Mykonos (2021); Schöne Scherben - Die Kunst der Reparatur, Lanserhauss, Eppan (2020);  The Cambridge Show, Kettle’s Yard, Cambridge (2019);  Henry Darger Summer Camp, Extramentale, Arles (2019);  Lignes de vies – une exposition de légendes,  MACVAL, Paris (2019);  Orlando... at the present time, The Wolfson Gallery, Charleston House, Lewes (2018); DRAG, Hayward Gallery, Southbank Centre, London (2018); ; Creative Rage, The Potteries Museum and Art Gallery, Stoke-on-Trent (2018); The Conformist (also as curator), Belmacz, London (2016).

Feature films include: 
The Dreamer Of The Forest (2024) (commissioned by Middelheim Museum), The Burning Baby (2020);  The Image  (commissioned by Charleston Trust) (2018); Das Spiel Der Hoffnung, (2017).